Every book has its rhythm

So, happy to have finished “the final edit” of Mirror, I went off to eat dinner then enjoy a relaxing evening reading someone else’s work.

As I was sitting on the sofa reading about the kick ass nuns a thought bubbled to the mental surface:  You know?  You really need to add that scene you’ve been toying with.  You won’t get any sleep until you do.

I wasn’t too surprised.  Edits are never final.

Not even when the thing goes to press.

Ask any author.

With a sigh I shot myself a text I would see in the morning telling me to add the scene – along with the part of the story I felt made the most sense.

Then I finished reading the article.

This morning as I sat drinking my second doppio I decided to finish Mirror,. An interesting thing happened.

As I went about adding the scene, which I figured would take a paragraph at most, I found that I felt connected to my characters in a way that had been eluding me.

Every book is different and I empathize with characters to a different degree.

I’d known something was missing – the way you taste a sauce and ponder which spice might need to be added.  Hint – and this comes from my doctoral side – it’s probably SALT!!!!!!

Salt makes spicy food absorb heat spices – like cayenne pepper – better.  It’s also crucial to human health – an electrolyte critical to muscle function and cellular communication.  Ahhh, but I digress.

The response was so positive I decided to add another scene I’d been toying with.  Another interesting thing happened.  

As I considered how to connect the scenes – which come toward the end of the book – I continued moving forward – tweaking as I went.  

The more I tweaked, the more I connected with my characters.  

I realized there was a familiarity to the whole process.  I’d been in that spot before, though not often.  A quick rifle through the hippocampus gave me the answer.  

The Lover!

I well remember being stuck at the window, a scene where I saw the characters but had no idea what they were doing there.  Oh, the awkwardness between the two I got – I just didn’t know how to express what they were thinking or feeling – yet.  

Because I hadn’t truly connected to my characters beyond surface depth!

A sense of peace came over me because not only did I understand the situation, I knew what I had to do next. 

Edit.

If I released the book today, I would be proud of my work.  However, armed with the knowledge if not the understanding I now have, I believe I can improve the story that much more.

Because I understand my characters in a way I hadn’t.

So, after a short music break, I will have another go at the story – from the beginning.

And as there is no tension, it will be not work so much as joy as I experience the book through characters I now have a better understanding of.

There is a secondary benefit to this.  By going back through the story from beginning to end I can identify any typos like single quotes that should be double quotes before handing it off to the beta reader.  

I can also allow the other stories in the queue to brew on the back burner of the muse’s stove.

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